Ashland 2017: The Odyssey

The annual pilgrimage to Ashland began this year with an epic production (3 hours 20 minutes, just as promised in the playbill) of The Odyssey, adapted from the Robert Fitzgerald translation by director Mary Zimmerman.  I can’t comment just now on the technical or literary quality of the adaptation — though I will be looking in …

Continue reading ‘Ashland 2017: The Odyssey’ »

Ashland 2016: The Winter’s Tale

Winter’s Tale has always been one of my favorite Shakespeare plays.  I look at its peculiar structure as a challenge rather than an obstacle, and when it’s well-executed, the finale involving Hermione’s “statue” strikes me as one of the most dramatically satisfying scenes in all Shakespeare.  And of course there’s that famous stage direction…. I’ve …

Continue reading ‘Ashland 2016: The Winter’s Tale’ »

Ashland 2016: Twelfth Night

Ninety-nine percent of this year’s production of Twelfth Night at OSF is sheer genius.  The set design for its nominal 1930s Hollywood transposition is clever in all the right ways, nearly all the performances are exceptional, and the comic swordfight between Sir Andrew and Viola-as-Cesario gets the single funniest execution I’ve seen in the 40+ …

Continue reading ‘Ashland 2016: Twelfth Night’ »

Ashland 2016: Yeomen of the Guard

If you are a Gilbert & Sullivan purist, you may want to steer clear of the Oregon Shakespeare Festival’s current incarnation of Yeomen of the Guard — it is, I’m advised by the G&S purists in our tour group, a sufficiently free adaptation that they might as well have called it something else.  (Possibly Boys …

Continue reading ‘Ashland 2016: Yeomen of the Guard’ »